Via Hegel (1770-1831):
The symbol, in the sense which we here give to this term, constitutes, according to its very idea, as well as from the epoch of its appearance in history, the beginning of art. Thus it ought rather to be considered as the precursor of art. . . . It is a sensuous object, which must not be taken in itself such as it presents itself immediately to us, but in more extended and more general sense. There are, then, in the symbol two terms to be distinguished: first, the meaning, and, secondly, the expression. The first is a conception of the mind; the second, a sensuous phenomenon, an image which addresses itself to the senses.
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